Material Silver-gilt
Dimensions 9.5 (11.6 in)
Place of Creation Paris
Price Price available upon inquiry
Status Vetted

About the Work

On circular raised base chased with two bands of continuous scrolls and matted foliage the baluster foliate stem flanked by three gryphons sejant on oblong plinths applied with a Medusa mask and dolphins, and between the twelve spoon-holders chased with simulated feathers. The exterior to the vase-shaped bowl entirely chased with alternate matted and plain vertical leaves, with central girdle decorated with rosettes between matting, the interior with central floral anthemion calyx. The low domed cover with an inner band of foliage scrolls and rosettes on matted ground and engraved with a coat-of-arms, with hound sejant finial on a pierced calyx of anthemion and partly matted foliage scrolls. The spoons with pointed bowls and stems stamped with bunches of grapes, foliage scrolls and rosettes on pounced ground.


The arms are those of Borghese for Prince Camillo Borghese who married Pauline Bonaparte in 1803. This confiturier forms part of an extensive service reputedly given by Napoléon to his sister and Prince Camillo.


The design of the confiturier is generally ascribed to Percier and a drawing is conserved in the Biennais legacy. At least three other examples are known originally commissioned by 1) Hortense Beauharnais, Queen of Holland (now in the Louvre, Paris), 2) The Empress Joséphine and 3) Grand Duke Michel Pavlovitch of Russia, brother of Czar Alexander I (Rijksmuseum, Amsterdam). The Louvre example has a seated amorino finial.


The Borghese service comprised more than 500 silver-gilt objects and included over 1,000 pieces of table silver, primarily by the French Imperial silversmith Martin-Guillaume Biennais (1764-1843). Originally a cabinet maker and tabletier, by 1789 Biennais had established premises at 283 rue St Honoré 'Au Singe violet'. Following the definitive abolition of corporate regulations in 1797 Biennais diversified his business to include the production of silver and gilt items. He supplied Napoleon from as early as 1798 and assured his preferred place with the future Emperor when, upon Napoleon's return from Egypt in 1801, he was prepared to supply him plate on credit. With the expansion of Imperial glory Biennais' workshop was soon employing up to 600 workers and collaborators, including the master silversmith Marie-Joseph-Gabriel Genu. In 1802 Biennais registered his own goldsmiths mark. After 1804 he signed his objects 'Goldsmith to Napoleon' or 'First Goldsmith to the Emperor' after producing the crown and sceptre for Napoleon's coronations in Milan and Paris.

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Provenance

Anonymous sale; Christie's, Geneva, 14 November 1989, lot 93.

Literature

Les Grands Orfevres, Librairie Hachette, Paris 1965, pp. 263 and 282-283 Faith Dennis, Three Centuries of French Domestic Silver, New York 1960, Vol. I, p. 65)

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