Material Oil on panel
Dimensions 68.2 x 57 cm
Place of Creation The Hague
Price Price available upon inquiry
Status Vetted

About the Work

This immensely endearing portrait of a young woman bears the marks of young love and indicates that this might be a betrothal portrait, or a portrait intended to help find a husband for the sitter. The sweet-smelling honeysuckle woven in her hair is a traditional symbol of devotion, happiness, and everlasting love.


While the honeysuckle is a beautiful though inexpensive adornment the rest of the sitter's sumptuous apparel would have cost a staggering sum of money. The embroidered dress is visible through her slashed black satin sleeves (black being the most difficult to make and expensive dye at the time) and shows spring flowers including tulips, roses, poppies, and more honeysuckle. The dress sleeves are themselves slashed into long ribbons and white silk is visible underneath. In this manner the viewer is shown layer upon layer of fine material which suggests that the sitter is a lady of considerable wealth. The lady's jewellery appears to be black onyx mounted in gold with a pearl choker. A double chain wraps around her chest ending in a fabulous brooch with a matching earring.


Our sitter is likely a patrician lady in Stadtholder's Court in The Hague where Ravesteyn worked as a court painter.

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Provenance

Anon. sale; Galerie Fischer Auktionen AG, Lucerne, Switzerland, 12-16 June 1956, lot 1946, illus.
Anon. sale; Christie's, London, 9 July 1993, lot 207.
With Rafael Valls Ltd., London, 1994.
Acquired there by the previous owner.

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